Visión Interior (2018)
Through video collaging and editing, this soundless represents a new form of painting. Conceptual cues such as blurriness, slowness as a mode of abstraction, and uncomfortable material pairings, are tools I utilize to warp the lines between technology and nature.
This piece was exhibited in Beverly’s in the Lower East Side of Manhattan in 2020.
Through video collaging and editing, this soundless represents a new form of painting. Conceptual cues such as blurriness, slowness as a mode of abstraction, and uncomfortable material pairings, are tools I utilize to warp the lines between technology and nature.
This piece was exhibited in Beverly’s in the Lower East Side of Manhattan in 2020.